5000 FINISHING
- 5010 Film to Tape w/ Color Correction
- Broadcast quality transfer of film to videotape on a telecine machine with scene to scene color correction capabilities.
- 5020 Pre Loading
- Cost associated with preparing or ingesting material into the color correcting system.
- 5030 Film Cleaning
- Running film through a cleaning machine prior to the film to tape transfer to eliminate loose dirt and dust.
- 5040 Stock for Film to Tape
- Videotape cassette stock used in the film-to-tape process.
- 5050 Tape To Tape Color Correction
- Altering, refining and re-recording videotape material using the scene to scene color correction capabilities of the telecine room.
- 5060 Final Edit
- Broadcast quality videotape conform of the final color corrected material to match the rough cut created in the off-line session.
- 5070 HD Up-Res/Downconvert
- Up-resing a standard definition (SD) project to a high definintion (HD) form or downconverting an HD project to an SD form.
- 5090 Motion Control Animation Stand
- A color camera used to record live action or full color original materials. The color camera can be mounted on a computer controlled animation stand to create dynamic moves on flat artwork, for example.
- 5100 Tape Stock & Reels
- Videotape stock, reels, cases and boxes.
- 5110 Generic Master
- First generation videotape master which is complete except for titles or logos. Typically made when multiple versions of a spot are anticipated.
- 5120 Edited Master
- Completed videotape master with finished picture, finished mixed audio track, color bars, tone and slate.
- 5130 Protection Master/Printing Dupe
- A copy of the edited master with identical time code from which air dubs are made.
- 5140 Finished Cassettes
- Videotape cassettes made from finished masters.
- 5150 Archiving
- Saving all finishing elements onto removable media for storage and backup. The session can be reloaded at a later date from the archived material.
