5000 FINISHING
- 5010 Color Grading/Film to Tape Transfer
- The cost to color grade (color correct) and visually balance a project, scene-to-scene. May include repositioning, selective correction within a frame and the scanning or transfer of film or negative to digital media or videotape in preparation for the Final Edit.
- 5020 Pre Load/Scanning
- The preparation and injesting of material into the color grading or scanning system in preparation for the Color Grading/Film to Tape Transfer process.
- 5030 Film Cleaning
- Cleaning loose dust and dirt from the negative before the film-to-tape scan or transfer.
- 5040 [intentionally blank]
- 5050 Tape-To-Tape Color Correction
- Scene-to-scene color corrections (color grading) from a videotape source and record the revised media back to videotape or other media.
- 5060 Final Edit
- Conforming of final color-corrected material to match the rough cut created in the offline edit session. Slates, graphics, titles and visual effects are typically added in the Final Edit.
- 5070 HD Up-Res/Downconvert
- The creation of a high definition (HD) version of a project from standard definition (SD) media or the creation of a standard definition (SD) version of a project from high definition (HD) media.
- 5080 Additional Machines
- The use of additional VTRs in the edit session.
- 5090 Motion Control Animation Stand
- The cost to use a computer-controlled animation stand to create repeatable dynamic moves on live objects or still images.
- 5100 Tape Stock & Reels
- Tape stock, reels and boxes used in the editing, finishing and furnishing processes.
- 5110 Generic Master
- First generation master which is complete except for titles or logos. For use when multiple versions are anticipated.
- 5120 Edited Master
- Completed master with color bars, slate and tone, titles and logos ready for air.
- 5130 Protection Master
- A copy of the Edited Master with identical time code from which dubs are made.
- 5140 Dubs/Duplicates
- Copies of the finished Edited Master.
- 5150 Archiving
- Archiving media/data after a session.
- 5160 Uncompressed Files
- The creation of final uncompressed file deliverables.
- 5170 Compressed File Dubs
- The creation of compressed file duplicates such as Quick Times, .mv files, etc.